basket case 2 blu-ray
Basket Case 2 is more entertaining than the original, though it suffers from a few plot issues
Basket Case 2 features a more complex plot than the original, one that involves new deformities that give the special effects team some room to flex their creative skills. A few uneven plot developments abound, but ultimately Henenlotter comes to an intriguing conclusion with this film's resolution. Synapse Films presents a nice transfer, albeit one lacking in extras.
Special Features/Quality/Packaging6.5
Reader Rating0 Votes0
The Good
Lots of gruesome deformities and an icky sex scene
Deals with Duane in a way that Basket Case did not allow
The Bad
Questionable how much allegiance we're supposed to feel toward the "freaks"
Lack of extras on the disc, including no subtitles

Basket Case 2 review

With Basket Case 2, writer/director Frank Henenlotter returned to one of his most successful films nearly a decade later. Released in 1982, the original Basket Case found grotesque humor as two brothers, one normal and one basket-ridden thanks to a congenital deformity, attempted to figure out how to adapt to New York City life while, you know, also killing people. The humor was sadled with the shocks and political incorrectness for which Henenlotter has come to be known, and the gory story of those tragically separated Siamese twins carried through despite the gore. Basket Case 2 increases the number of freaks and the complexity of the storyline, again centering on Duane (Kevin Van Hentenryck) and his psychopathic brother Belial as they find themselves new residents of their aunt Granny Ruth’s (Annie Ross) collection of deformed malcontents.

Henenlotter is certainly upping the ante from his previous film, introducing a coterie of new citizens who are similarly deformed like Belial. As Duane and Belial flee from the repercussions of their murderous rampage, they settle into Granny Ruth’s abode in two different ways – Belial feels at home because he feels like he’s in familiar company, and Duane becomes enchanted with Granny Ruth’s daughter Susan (Heather Rattray). The family connection gives Henenlotter a chance to explore new deformities with gruesome aberrations, and the special effects team delivers with creations that feel right at home alongside Belial’s blobby, slimy texturing. In fact, those who enjoyed Basket Case simply because of the effects work will appreciate Henenlotter’s exponential increase of freaky-looking dudes with strange teeth, huge heads, and awkward gaits.

This time around, Henenlotter’s plot has a wider scope than the previous film, and that presents some conflicting results. Duane and Belial are on the run from a tabloid reporter named Marcie (Kathryn Meisle), a woman who wants to get the scoop on the two Siamese twins and who’s willing to risk her safety to do so. This subplot gives Henenlotter room to explore Duane in a bit more detail; he’s sick of having to take care of both himself and Belial, and he’s ready to leave that lifestyle behind in favor of sneaking away with Susan and starting a family without a deformity weighing them down. All of the story involving Marcie is a little sloppy, with the film shifting unnecessarily to cover her search for Duane and Belial. However, it does lead to Basket Case 2′s best thematic ideas: Henenlotter’s plot is ridiculous, for sure, but it does bring up questions about how much Duane should have to devote his life to his brother’s well-being, a fate he never asked for (and the film never hesitates to replay some scenes from the first film).

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It’s interesting how Basket Case 2 treats its deformed characters too, because it often has a sort of reverence for them even as they’re murdering people left and right. Like Basket Case, Henenlotter seems to want the audience to feel some affiliation with Belial and the rest of Granny Ruth’s troupe, but at the same time it’s also mocking them to garner some of its comedy. While that tone is uneven, Henenlotter eventually finds a nice resolution in the end. Resigned to live his life with the rest of the deformed after realizing that Susan also has her own debilitating condition (she’s forever pregnant with a belly-bursting fetus), he decides to sew Belial back onto himself. Henenlotter draws a dark connection here, that Duane can never really assimilate into everyday life – he’s always going to be one of them rather than what he considers normal.

Interestingly enough, Basket Case 2 is more enjoyable than its predecessor. Part of that comes from the expanded cast of characters – both human and not so much – and from the film’s more absurdly  humorous gags (like its infamous sex scene). But more importantly, it’s due to Henenlotter’s ability to find an interesting human aspect to this story, with a theme that warrants more discussion than Basket Case could deliver. Henenlotter’s films aren’t for everyone, but those that enjoy practical effects gags and splatter pictures will find the humor, and the more human element, packaged within Basket Case 2‘s intentional shock value.

Click next for the Blu-Ray review.


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